Its will and spirit were broken,” he says. “Once captured and trained, things are no longer themselves: Jumbo was no longer an elephant, but a monster created by humans for entertainment. That concern is embedded in the title of the work. Thomas, Ontario, in 1885, Jungen is deeply concerned with the terrible price all living things pay when forced to perform for others. Intrigued by the tragic story of Jumbo, a captive circus elephant who made international headlines when it was killed by a train in St. I look forward to making them visible again.” “This was foreign to me and surprising, but to the residents of this city, accustomed to seeing them, they are invisible. “The use of discarded couches came from my experiences of walking the streets of Toronto and seeing them abandoned on the sidewalks waiting to be picked up at night,” said Jungen. In his first large-scale work in bronze, Jungen has constructed the figure of an elephant from discarded leather sofas. In his extensive body of work, Jungen engages with both Indigenous materials and traditions as well as Western art history and popular culture.Įntitled Couch Monster: Sadzěʔ yaaghęhch’ill Jungen’s new sculpture for this outdoor space is a monument to creative form and engineering. This work is the museum’s first ever public art commission, and will be situated at the corner of Dundas and McCaul Streets – the former setting for Henry Moore’s Large Two Forms (1966–1969).Īn artist of Dane-zaa and European heritage, Jungen (b.1970) is internationally renowned for his sculptures and installations made from repurposed consumer goods. In early summer 2022, the AGO will install a bold new sculpture by acclaimed contemporary artist Brian Jungen.
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